Wool on jute, studio photo

- 10 September 2026.

Begun May 2026, still no anticipated completion date.

Time in this studio runs slower.

Filipe Rocha da Silva builds worlds from accumulation. Across six decades and multiple media — oil on canvas, pencil on paper, printmaking, vídeo and textile — his work consistently returns to a single governing principle: the dense, patient layering of small marks, figures, or units of colour that, taken together, produce something larger than their sum. Subject matter is always subordinated to this relentless accumulation, which gives his work a rare unity. To look closely is to see the unit; to step back is to see the world it builds.

The following works by FRS all refer to Óbidos, spanning several decades and a range of techniques (see also ONCE UPON A TIME).

Since he began drawing and painting again in the early 1970s, FRS's holidays in his great-grandfather's house — built against the walls of Óbidos castle — were periods of intense production. He would hide in the basement, in an old office full of dusty papers that had once mattered to somebody, and paint in silence. His favourite place in Óbidos, since childhood, was not the castle but Várzea da Rainha, deserted in those days. Broken gravestones, ruins, caves diving into the earth. Then the precipice, and beyond the old train tracks the plain itself, reclaimed from the sea and divided into crops in a humanly drawn geometry of colours and textures, extending to the horizon and catching the summer sunset. He had no idea yet what Feng Shui meant, but the place moved him more than the castle itself.

Setting up Pinturas Grandes. Painting: A Portuguesa, Oil on Canvas, 200X190cm, 1991.

Exhibition at Pavilhão Grande, Museu da Cidade de Lisboa, 2004/2004. CML/ José de Monterroso Teixeira. Opening: 21 October 2004.