Wool on jute, studio photo

- 10 September 2026.

Begun May 2026, still no anticipated completion date.

Time in this studio runs slower.

Filipe Rocha da Silva builds worlds from accumulation. Across six decades and multiple media — oil on canvas, pencil on paper, printmaking, vídeo and textile — his work consistently returns to a single governing principle: the dense, patient layering of small marks, figures, or units of colour that, taken together, produce something larger than their sum. Subject matter is always subordinated to this relentless accumulation, which gives his work a rare unity. To look closely is to see the unit; to step back is to see the world it builds.

In the late 1980s, FRS held studio photo sessions with models to study movement and carry it into conceptual development. The running humanoid figures in a grid or pattern have been a constant in his work. The motif goes back to childhood and became deliberate in New York, 1982–85, under the influence of artists like Dubuffet, Penk, Haring and Basquiat, East Asian art and Muybridge's motion series.

Setting up Pinturas Grandes. Painting: A Portuguesa, Oil on Canvas, 200X190cm, 1991.

Exhibition at Pavilhão Grande, Museu da Cidade de Lisboa, 2004/2004. CML/ José de Monterroso Teixeira. Opening: 21 October 2004.